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Hans Ulrich Obrist: in conversation with Omar Kholeif

Shumon Basar: in conversation with Stephanie Bailey

Shiva Balaghi: in conversation with Stephanie Bailey

Oscar Guardiola-Rivera: in conversation with Anthony Downey

Todd Reisz: in conversation with Omar Kholeif

Okwui Enwezor: in conversation with Anthony Downey

Farah Al-Nakib: in conversation with Stephanie Bailey

Adam Szymczyk: in conversation with Omar Kholeif

John Akomfrah: in conversation with Anthony Downey

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1971-1979 The Short Seventies (World)

Soviet Orientalism and Political Mobilisation

Ibn Khaldun’s The Muqadimmah

Crisis The End of Pearling in the Gulf (Qatar)

1972-1982 Spaceship Sheraton and the Making of Doha's Masterplans

1971-1979 The Short Seventies (UAE)

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The Future Was Global/Art/Forum

Sheyma Buali in conversation with Turi Munthe and Sultan Sooud Al-Qassemi

On the 2016 Global Art Forum ‘The Future Was’

The Future Was Space Is The Place

The Future Was ZZZZZZZZ

The Future Was a Roundabout

The Future Was Underwater

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Global Art Forum 8 at Katara Art Center

To close Ibraaz Platform 010, we present new essays by Ibraaz Editor-in-Chief Anthony Downey, Ibraaz Senior Editor Stephanie Bailey, Ibraaz Contributing Editor Ala Younis, and Natasha Hoare; interviews with Szabolcs KissPál and Mahmoud Khaled, Toleen Touq, Cevdet Erek, Hammad Nasar; projects by Shadi Habib Allah, Mahmoud Bakhshi, Maryam Monalisa Gharavi,...

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Sites of Return: Ramallah

Cities Exhibition 5, 'Gaza – Reconstruction': Ramallah

Pattern Recognition: Ramallah

Biographies

Contextual Notes: Rawan Sharaf Reema Salha Fadda Stephanie Bailey

Sohrab Kashani in conversation with Taus Makhacheva

Speaker Biographies + Synopses

Curatorial Narrative

Abdullah Al-Mutairi in conversation with Sarah Abu Abdallah

JW Stella in conversation with Aimee Dawson

Lara Khaldi in conversation with Ghalya Saadawi

Urok Shirhan in Conversation with Stephanie Bailey

Vangelis Vlahos in conversation with Stephanie Bailey

Antonia Carver in conversation with Omar Kholeif

Fulya Erdemci in conversation with Basak Senova

Shumon Basar, Ala Younis and Omar Berrada in conversation with Sheyma Buali

Kamel Lazaar in conversation with Anthony Downey

Jumana Manna in conversation with Sheyma Buali

Uriel Orlow in conversation with Omar Kholeif

10 Years On: Art and Everyday Life in Iraq and Iran

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Regional vis-à-vis Global Discourses: Contemporary Art from the Middle East

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09–11 May, Museé National du Bardo, Tunis

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Filipa César and Louis Henderson

On Navigating Without a Compass

Ibraaz 5th Year Anniversary Editorial

On Assumption and Authority

An Introduction to Platform 010

Organic Growth and the Rise of Visual Arts Organizations in the UAE

A Review of the 56th Venice Biennale

Maraya Art Centre

A Curatorial Take on the Global South

Nikos Papastergiadis and Gerardo Mosquera

An Art Collection as an Alternative Archive of Iranian History

Pan-Kaffirism in Iraq, South Africa, and Sri Lanka

In a recent video work, Mouthfeel (2014) and a related lecture-performance titled Playlist (2014), I focused on symmetries between forms of aspirational consumption in the Global South.

Imagining the Future, Assembling the Past

Reflections on Ashkal Alwan's Home Workspace Program, 2013-14

Reflections on Ashkal Alwan's Home Workspace Program, 2013-14

The Sharjah Art Foundation's 2014 March Meeting

Malak Helmy and Sophia Al Maria

A project by Fayçal Baghriche

Sohrab Kashani

Seth Ayyaz

An I for an Eye and Death of a Cameraman

Repatriation of Iraq's Looted Heritage under International and Domestic Law and Practice

Amy Charlesworth

Is soft power helping or hindering the state of the arts in Jordan?

Aid and the Politics of Art in Processes of Contemporary Cultural Production

Firstly, and most immediately, I object to the characterisation of the context in which this question is situated. There is, of course, a marketplace for what we call cultural goods, including artworks, but there's no reason to situate all artworks immediately in an economy. Things that are made solely for...

A new book has surfaced on the shelves of Lebanese and possibly Arab bookstores. The title reads: Pure Nostalgia . As in Exclusive Nostalgia, as in free from this contaminated present . The emergence of this publication is perhaps symptomatic of something larger than a trivial nostalgia quenched by the...

The Story of Bahrain’s Pearl Roundabout

Jens Maier-Rothe

I am broadly interested in addressing the recontextualisation of cultural heritage in the MENA region by institutions, thus aligning it in the process with current developments in contemporary art at large. Artistic practices are frequently used to measure the economic and cultural growth of geographies. This is often achieved by...

Can or should or will? Everything is possible, while a lot less is likely. These to me are three discrete topics: the health of institutions; public space (itself a maligned, misused term, most of the time); and civil society. I think if artists – or curators, or any agent involved...

This is a very wide question and impossible to answer in a book, let alone a paragraph. However, it could boil down to two questions concerning visual artists, rather than visual culture per se: What can art do? And do artists have a responsibility to react and respond to their...

The political and cultural density of the Middle East is as diverse, rich and complex as that of Central Europe with which it shares a history of struggle about disputed borders, clashing ideologies and religious turmoil. The fact that the term by which the region is commonly identified is a...